1 00:00:30,480 --> 00:00:33,040 Look around you. 2 00:00:35,080 --> 00:00:37,072 Look around you. 3 00:00:41,560 --> 00:00:44,359 Just look around you. 4 00:00:45,320 --> 00:00:47,312 (GRUNTS) 5 00:00:48,760 --> 00:00:51,480 Have you worked out what we're looking for? 6 00:00:53,680 --> 00:00:55,876 Correct. The answer is... 7 00:01:03,360 --> 00:01:05,317 This programme, "Music", 8 00:01:05,480 --> 00:01:08,314 can be found in chapter 9 of your textbook, 9 00:01:08,480 --> 00:01:10,676 which accompanies this series. 10 00:01:12,360 --> 00:01:14,829 Please ensure that you have your copybook at hand, 11 00:01:15,000 --> 00:01:17,879 as you'll be asked to take down notes from the screen 12 00:01:18,040 --> 00:01:20,555 at various points throughout the programme. 13 00:01:21,240 --> 00:01:23,232 Music is the name given 14 00:01:23,400 --> 00:01:25,869 to any sequence of notes designed by man, 15 00:01:26,040 --> 00:01:29,238 and increasingly by women, to effect mood change. 16 00:01:30,720 --> 00:01:34,509 From the oom.pah.pah of a traditional brass band 17 00:01:34,680 --> 00:01:39,835 to the sounds of pop groups like The Bensons or The Ombudsmen, 18 00:01:40,000 --> 00:01:44,517 music permeates our lives like no other force on earth. 19 00:01:44,680 --> 00:01:48,674 But is it just man that makes music? 20 00:01:48,840 --> 00:01:50,877 It's a controversial issue, 21 00:01:51,040 --> 00:01:53,032 because there are those who actually believe 22 00:01:53,200 --> 00:01:55,192 that this is music. 23 00:01:55,360 --> 00:01:57,352 (TRILLS) 24 00:01:58,400 --> 00:02:01,757 They call it birdsong, but it's hardly a song. 25 00:02:01,920 --> 00:02:04,310 There's no real tune to speak of, 26 00:02:04,480 --> 00:02:07,837 just a random cacophony of squawks and chirrups. 27 00:02:08,000 --> 00:02:09,912 What a racket! 28 00:02:10,080 --> 00:02:11,878 (SINGS FOLK SONG) 29 00:02:12,080 --> 00:02:15,391 But regardless of who creates our music, 30 00:02:15,560 --> 00:02:18,394 it has the power to uplift us, unite us, 31 00:02:18,560 --> 00:02:21,598 filling our hearts with laughter and joy. 32 00:02:21,760 --> 00:02:25,276 One can only imagine a world without music, 33 00:02:26,920 --> 00:02:29,799 although we'd probably get used to it after a while. 34 00:02:29,960 --> 00:02:33,920 But for the moment at least, music is here to stay. 35 00:02:41,600 --> 00:02:43,637 An experiment was carried out 36 00:02:43,800 --> 00:02:46,759 to demonstrate how a modern song is composed. 37 00:02:46,920 --> 00:02:49,560 Here's a state.of.the.art songwriting computer, 38 00:02:49,720 --> 00:02:51,313 the Harrington 1200. 39 00:02:51,480 --> 00:02:55,520 You've probably never seen one because it costs almost L1,000. 40 00:02:59,200 --> 00:03:01,999 The Harrington 1200 compromises of keyboard, 41 00:03:02,160 --> 00:03:06,234 console and banks of oscillators and modulators. 42 00:03:06,800 --> 00:03:08,951 But it's at the heart of the Harrington 43 00:03:09,120 --> 00:03:13,034 that we find the musical motors that power this machine: 44 00:03:13,200 --> 00:03:17,035 DNA samples taken from the composers Gilbert and Sullivan. 45 00:03:18,280 --> 00:03:19,999 This is Jack Morgan, 46 00:03:20,160 --> 00:03:23,073 the scientist who will be operating the machine. 47 00:03:25,120 --> 00:03:28,477 He starts by informing the Harrington of the song's key. 48 00:03:29,520 --> 00:03:31,034 S. 49 00:03:32,040 --> 00:03:35,477 It's in the key of S. Write that down. 50 00:03:36,800 --> 00:03:39,360 Next, the song's tempo. 51 00:03:39,960 --> 00:03:42,077 Quite fast. 52 00:03:42,240 --> 00:03:45,995 Finally, the scientist must think of a title for the song. 53 00:03:46,160 --> 00:03:49,836 He scans his surroundings, looking for inspiration. 54 00:03:55,680 --> 00:03:57,717 "Little Mouse." 55 00:03:59,600 --> 00:04:03,230 "Little Mouse." It's a catchy title. Write it down. 56 00:04:04,120 --> 00:04:07,352 The Harrington 1200 gets composing. 57 00:04:07,520 --> 00:04:09,273 (ELECTRONIC NOODLING) 58 00:04:14,160 --> 00:04:17,551 And a few moments later, the song is written. 59 00:04:20,000 --> 00:04:24,313 And we can now all listen to Jack Morgan's song, "Little Mouse". 60 00:04:24,480 --> 00:04:26,517 (PIANO INTRODUCTION) 61 00:04:28,960 --> 00:04:31,759 # I remember the night 62 00:04:31,920 --> 00:04:34,389 # Scratching at my door 63 00:04:34,560 --> 00:04:36,836 # Furry, small and white 64 00:04:37,000 --> 00:04:39,435 # I shook you by the paw 65 00:04:39,600 --> 00:04:41,956 # 'Cause I like you, my friend 66 00:04:42,120 --> 00:04:44,555 # I respect you, my friend 67 00:04:44,720 --> 00:04:47,076 # I'll encourage you, my friend 68 00:04:47,240 --> 00:04:50,074 # Through and through 69 00:04:53,360 --> 00:04:55,875 # Hey, now, little mouse 70 00:04:56,040 --> 00:04:58,635 # I hope we understand one another 71 00:04:58,800 --> 00:05:01,235 # Hey, now, little mouse 72 00:05:01,400 --> 00:05:03,960 . # Show me what to do . # Little mouse! 73 00:05:04,120 --> 00:05:06,510 # Hey, now, little mouse 74 00:05:06,680 --> 00:05:09,320 # Something's moving there in the back room 75 00:05:09,480 --> 00:05:11,836 # Hey, now, little mouse 76 00:05:12,000 --> 00:05:13,992 # Show me what to do 77 00:05:14,560 --> 00:05:16,552 # Show them what to do 78 00:05:16,720 --> 00:05:20,396 # It's enough for me and you # 79 00:05:26,240 --> 00:05:29,677 That was "Little Mouse" there, by Jack Morgan. 80 00:05:29,840 --> 00:05:33,117 Who knows, he may have a hit on his hands. 81 00:05:33,760 --> 00:05:35,638 And from all of us here at "Look Around You", 82 00:05:35,800 --> 00:05:37,996 we wish Jack the best of luck. 83 00:05:45,240 --> 00:05:47,311 An ordinary piano. 84 00:05:47,480 --> 00:05:50,951 And if we go to the top of the scale, we find this, 85 00:05:51,120 --> 00:05:53,999 which houses the nineteen forbidden notes. 86 00:05:57,160 --> 00:06:00,597 The box is kept locked, and for good reason. 87 00:06:01,320 --> 00:06:03,357 We're going to show you just why 88 00:06:03,520 --> 00:06:06,718 you should never attempt to play any of these notes. 89 00:06:06,880 --> 00:06:08,872 In the interests of safety, 90 00:06:09,040 --> 00:06:12,795 we'll be turning down the volume on your television set now. 91 00:06:14,000 --> 00:06:15,832 (SILENCE) 92 00:06:27,880 --> 00:06:29,872 Here are some pupils 93 00:06:30,040 --> 00:06:32,874 from the music class of St Heathen's Grammar in Grantham. 94 00:06:33,040 --> 00:06:36,158 Helen. Rosy. 95 00:06:36,320 --> 00:06:38,516 And Partario. 96 00:06:38,680 --> 00:06:42,117 We're going to be giving them a brief musical quiz. 97 00:06:42,280 --> 00:06:45,591 You can join in too, so have your copybooks ready. 98 00:06:45,760 --> 00:06:49,834 Helen, how many notes are there in a scale? 99 00:06:50,800 --> 00:06:53,076 . Eight. . Correct. 100 00:06:53,240 --> 00:06:56,199 Rosy, how long is a standard trombone? 101 00:06:56,360 --> 00:06:59,114 . Extended or contracted? . Contracted. 102 00:06:59,280 --> 00:07:02,432 . 32 inches. . Correct. Partario. 103 00:07:02,600 --> 00:07:05,354 I was born in Portugal 300 years ago. 104 00:07:05,520 --> 00:07:07,079 My belly has two holes in it. 105 00:07:07,240 --> 00:07:11,598 I spend most of my time under your chin. What am I? 106 00:07:14,760 --> 00:07:16,319 Helen or Rosy? 107 00:07:16,480 --> 00:07:20,190 . Is it a viola? . Correct. Bonus point. 108 00:07:20,360 --> 00:07:22,716 Fingers on buzzers. 109 00:07:22,880 --> 00:07:25,873 Who have better singing voices, men or women? 110 00:07:26,680 --> 00:07:28,160 Rosy? 111 00:07:28,320 --> 00:07:31,631 . Women. . No, it's men. Popular music. 112 00:07:31,800 --> 00:07:36,079 Which group had a number one hit with "The Scarecrow Song"? 113 00:07:36,240 --> 00:07:38,311 Helen? 114 00:07:38,480 --> 00:07:40,312 . The Beatles? . Correct. 115 00:07:40,480 --> 00:07:43,154 What town was Schubert built in? 116 00:07:44,400 --> 00:07:46,392 What town was Schubert built in? 117 00:07:48,400 --> 00:07:49,800 No one? 118 00:07:51,600 --> 00:07:53,671 Schubert was born in Vienna. 119 00:07:53,840 --> 00:07:56,309 That's the end of the quiz, 120 00:07:56,480 --> 00:07:58,472 and we see that Rosy is the winner. 121 00:07:58,640 --> 00:08:00,518 How did you fare? 122 00:08:00,680 --> 00:08:05,072 Now we present Rosy with her prize, a beautiful 17th.century harp. 123 00:08:05,240 --> 00:08:07,880 But the others don' t go away empty.handed. 124 00:08:08,040 --> 00:08:12,080 They receive a consolation prize of a "Look Around You" pencil. 125 00:08:15,360 --> 00:08:16,919 Over the course of this module, 126 00:08:17,080 --> 00:08:19,720 we've learnt a lot about music and its many forms. 127 00:08:19,880 --> 00:08:23,157 You may be thinking of a career in music. 128 00:08:23,320 --> 00:08:25,312 It's an exciting opportunity, 129 00:08:25,480 --> 00:08:28,120 and could be a very rewarding endeavour. 130 00:08:28,280 --> 00:08:30,078 # Little mouse... # 131 00:08:30,240 --> 00:08:33,950 You may not become the next Mozart, but you might become 132 00:08:34,120 --> 00:08:36,112 the next Grozart. 133 00:08:36,280 --> 00:08:40,069 (SCRAPES VIOLIN TUNELESSLY) 134 00:08:42,960 --> 00:08:47,000 Now hand in your copybook to your teacher or head of class. 135 00:08:47,840 --> 00:08:51,356 In the next programme, we will look at dynamite.